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Movie Reviews | Georgia Straight

The body count in gangster saga The Traitor would make Martin Scorsese blush Movie Reviews Elijah Wood is a chump off the old block in the fabulously violent Come to DaddyImagine reuniting with your absent father after 30 years and discovering that he’s Ginger Baker, but worse. Even with wheels, this year's Oscar documentary shorts…

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The body count in gangster saga The Traitor would make Martin Scorsese blush

Movie Reviews

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Elijah Wood is a chump off the old block in the fabulously violent Come to Daddy

Imagine reuniting with your absent father after 30 years and discovering that he’s Ginger Baker, but worse.

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Even with wheels, this year’s Oscar documentary shorts are no easy ride

War, bigotry, trauma, disease—there’s little to uplift in this three hour program.

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There’s one mule but no dogs in this year’s Oscar live-action shorts

The Academy has produced a gratifyingly consistent slate this time around.

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Filipino period drama Quezon’s Game does big ambition on a too small scale

Top-level Filipinos engage to save imperilled Jewish refugees just before the war.

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Oscar animated shorts make for a worthwhile trip to Toontown

Anxious animals, problematic puppets, and grieving girls dominate this latest fistful of Academy contenders.

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Oscar hopeful Corpus Christi follows one boy’s journey from juvie to priesthood

What, exactly, is the Body of Christ?

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The Soska Sisters give Rabid a twisted makeover

With this vaunted remake, the Vancouver filmmakers have produced their most fully realized feature to date.

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Guy Ritchie puts testosterone over substance with The Gentlemen

The bros are back in town

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Hollywood goes back to ‘Nam in The Last Full Measure

It’s a tribute to aging A-list actors as it is to the Vietnam veterans they so lovingly portray.

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Color Out of Space gives Lovecraft a good old mindfuck

Even as he verges on liability, an uncaged Cage is no deal-breaker.

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A giant of modern dance lives again in Cunningham

The pioneering choreographer is remembered through archival footage, interviews, and new interpretations shot in 3-D.

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Polyglot Paris does the right thing in Les Misérables

Victor Hugo would and would not recognize the Paris in this complex new movie named after his most famous book.

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Taut drama Clemency puts Alfre Woodard on death row

Apart from a few superfluous nightmares, the filmmaker’s commitment to utter seriousness is admirable

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Tiffany Haddish vehicle Like a Boss quits before it gets ahead

It’s hard to say if this strikingly unfunny effort would be better if it wasn’t written and directed by men.

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Adam Sandler is either brilliant or annoying, but Uncut Gems is a glorious mess either way

The new Safdie brothers film is summed up in a single image of a hustler getting punched in the throat.

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War is senseless and surreal in Sam Mendes’ 1917

It’s a technical feat, yes, but the emotional payload counts.

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Institutional sexism meets unconvincing saga in The Invisible Life of Eurídice Gusmão

The biggest problem is that its characters aren’t convincingly developed.

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The Whale and the Raven asks the big eco questions

View the blue-green Pacific Northwest through Indigenous eyes.

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And the Birds Rained Down: tender Quebecois film is a gem

It’s slow going, but the payoff resonates all the more for the patience Archambault puts into this poetic and melancholy little chamber piece.

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Fox News misogyny meets its match in Bombshell’s Charlize Theron and Margot Robbie

Nicole Kidman also stars in a tale based on all too true events

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